Artists' Row Urban Design and Planning Framework - Public Meeting Draft - August 13, 20151SALEM ARTISTS’ ROW FRAMEWORK PLAN The Cecil Group August 13, 2015
August 13, 2015
Salem Artists’ Row
URBAN DESIGN & PLANNING FRAMEWORK
Public Meeting #2
Draft Recommendations
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•Review: What’s Happening
in Artists’ Row Today
•Recommendations: Design
and Programming
▪Character and identity
▪Uses: on-site and complementary
uses
▪Booths and buildings
▪Open space and landscape
▪Seasonality and facilities
▪Daytime/nighttime
▪Safety and security
▪Special events
•Capital Improvements and
Operations
▪Improvements and Investments
▪Stewardship and Responsibilities
•Next Steps
Agenda
INTRODUCTION
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Existing Conditions, Looking West
INTRODUCTION
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Review of the
Public Meeting
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▪Discussion of the results of the meeting
▪Review of the survey results
Public Meeting: June 16, 2015
REVIEW
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Survey Responses: Character and Identity
REVIEW
Artists’ Row
should be a unique
destination
Artists’ Row
should be an
extension of
downtown
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Survey Responses: Season
REVIEW
Lengthen season
to include
December
Keep season as-is
Make Artists’ Row
year-round
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Survey Responses: Types of Structures
REVIEW
Temporary
structures
Permanent
structures
Mix of temporary
and permanent
structures
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Survey Responses: Spaces should be primarily for
artists/craftspeople to:
REVIEW
Make and sell their
wares
Make their wares
Sell their wares
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Survey Responses: Supportive of Charging Rent
REVIEW
Depends of the
rent cost
Disagree
Agree
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Recommendations:
Design and Programming
PHOTO BY SOCIAL PALATES PHOTOGRAPHY
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Character and Identity
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Destination –Artists’ Row should be designed, programmed and
marketed as a distinctive destination within Downtown Salem.
The tenants, artists, crafts, events should be from Salem and the surrounding
region and should be excellent and exceptional -providing a front porch for
outstanding and unusual goods, activities, food and experiences.
▪Provide uses and activities that will directly appeal to
local and regional residents and draw tourists because
of its genuine identity
▪Base the selection of tenants and events, in part, on
their contribution to Artists’ Row as a destination that is
out of the ordinary.
▪Use the thematic idea of the Arts to consistently inform
the public relations, marketing, branding and design
▪Measure success by surveying visitors
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Character and Identity
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Destination –Artists’ Row should be designed, programmed and
marketed as a distinctive destination within Downtown Salem.
The design composition must be strong, emblematic and
attractive -clearly different from the surroundings. The spaces
should have clear entrances and some landmark features.
▪Improve and redevelop the architecture to be a unifying,
thematic aspect of Artists’ Row
▪Add unifying lighting
▪Provide consistent wayfinding signage integrated with
other signage and wayfinding for the entire Downtown
▪Add lit entrance markers with the name/logo with a directory and
event notices in the form of compact “kiosks” in appropriate
locations.
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RECOMMENDATIONS: DESIGN AND PROGRAMMING
▪Add lit entrance markers with the name/logo with a directory and event notices
in the form of compact “kiosks” in appropriate locations.
Character and Identity
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Character and Identity
RECOMMENDATIONS: DESIGN AND PROGRAMMING
▪Extend the limits of Artists’ Row so that it wraps around the sidewalk corners and
encompasses the Square across Front Street
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Connections
RECOMMENDATIONS: DESIGN AND PROGRAMMING
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Uses: On-Site Uses
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Provide a specific range of uses within booths and for special
events that reasonably fit within the space available and, except for
limited restaurant and food service, are composed entirely of arts
and craft components.
▪Combine the concept of goods for sale, demonstrations
and active fabrication to the greatest extent practical
▪Expand the number and range of both booths and
designated spaces for temporary installations,
demonstration, and vendors
▪Remove the restrooms and replace them with additional
booths and vendors
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Uses: On-Site Uses
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Provide a specific range of uses within booths and for special
events that reasonably fit within the space available and, except for
limited restaurant and food service, are composed entirely of arts
and craft components.
▪Combine the concept of goods for sale, demonstrations
and active fabrication to the greatest extent practical
▪Expand the number and range of both booths and
designated spaces for temporary installations,
demonstration, and vendors
▪Remove the restrooms and replace them with additional
booths and vendors
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Uses: On-Site Uses
RECOMMENDATIONS: DESIGN AND PROGRAMMING
▪Improve the restrooms in Old
Town Hall and create a high
quality, well-maintained facility
▪Provide for capital, maintenance
and operational funding from a
coalition of participating
landowners, merchants and
stakeholders
▪Employ mechanisms like a
business improvement district or
other methods to assemble the
funding
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▪Maker spaces and arts incubators
▪Live/work housing for artists and craftspeople
▪Arts education and collaborative workshop
businesses and spaces
▪Gallery and exposition space
▪Offices and venues for arts organizations
Uses: Off-Site Uses
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Artists’ Row cannot practically serve as the center or contain all
of the dimensions of the local and regional art and artist
community and their needs. Artists’ Row should be part of a
growing and connected network of complementary uses. Future
plans and initiatives should expand an arts-oriented district in
portions of the City including:
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▪Develop a program to incrementally replace existing structures
▪Emphasize innovative design, and consider a design competition for the
building prototypes
▪Increase building transparency
▪Provide year-round use
▪Provide accessibility
▪Meeting building codes
Booths and Buildings
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Upgrade the temporary booths in terms of design quality and
extended seasonal use
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▪Infill appropriate locations with new booths and temporary kiosks or
installations to increase the variety and amount of uses
▪Remove bathrooms and adjacent wall, extend special programming into City
owned parking lot
Booths and Buildings
RECOMMENDATIONS: DESIGN AND PROGRAMMING
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▪Reduce the visible impact of the
parking lot
▪Create informal seating areas
▪Take advantage of the nooks
for landscaping and appropriate
seating
▪Maintain a sense of open space
▪Use surfaces for displays
Open Space and Landscape
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Upgrade the open space and landscape to be more attractive,
add amenities, and keep adequate areas open for circulation
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RECOMMENDATIONS: DESIGN AND PROGRAMMING
Open Space and Landscape
▪Re-organize the restaurant outdoor seating area
▪Use landscaping to reduce the visibility of cars
▪Remove walls or take other steps to remove loitering pockets
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▪Coordinate leases, tenancy and special events to extend the season
▪Use Old Town Hall to extend the season as existing structures cannot be
heated efficiently
▪Replace booths and buildings to support year-round activity
Seasonality and Facilities
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Incrementally extend the season of operation through the holidays,
with the goal of year-round operation
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▪Install overhead light canopy
Daytime/Nighttime
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Add festive and interesting lighting
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▪Provide better lighting
▪Remove restrooms
▪Increase the hours and seasons of operation
Safety and Security
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Deliberately reduce opportunities for loitering, enhance activity and
visibility, and coordinate policing of the spaces
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Special Events
RECOMMENDATIONS: DESIGN AND PROGRAMMING
Emphasize and expand the range and number of special events
within Artists’ Row
PHOTO BY SOCIAL PALATES PHOTOGRAPHY
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CAPITAL IMPROVEMENTS AND OPERATIONS
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▪Remove/Relocate Restrooms
▪Replace Booths
▪Public Space
▪Infrastructure
Improvements and Investments
CAPITAL IMPROVEMENTS AND OPERATIONS
Establish rents and fees to recognize the market value of the tenancies and
events, and assemble a capital improvement fund with the proceeds while
seeking additional sources of grants and revenues. Key improvement
components will consist of these priorities
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▪Stewardship for Selection
▪Public Arts Commission
▪Stewardship of Operations
▪City Administration/Mayor’s Office
▪Departmental Staff (Planning and
Development, DPW, Police, Building
Inspector, others)
Stewardship and Responsibilities
CAPITAL IMPROVEMENTS AND OPERATIONS
Establish a regular and systematic agenda item for inter-departmental
coordination and conduct meetings to monitor progress and advance
specific actions.
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▪Short-term (1-2 years)
▪Demolish bathrooms
▪Increase activation with temporary spaces (tents, performance
stage, etc.)
▪Formalize a Stewardship program for artist selection and operations
▪Develop funding mechanisms
▪Begin building a reserve for funding the replacement of booths
▪Long-term (5-10 years)
▪Design competition for booth prototypes
▪Replace booths
Sequencing
CAPITAL IMPROVEMENTS AND OPERATIONS
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NEXT STEPS