DIEHL SIGN PACKAGEProperty Owner
Property Information
Sign Owner
Use of Building
Frontage in Linear Feet
Sign Permit
SP-20-18
Status: Active
Submitted: Oct 05, 2020
Applicant
Erika Diehl
323-556-1872
diehlmarcuscompany@gmail.com
Location
11 CENTRAL STREET
SALEM, MA 01970
Is the applicant the owner?
--
Is applicant representing City of Salem?
--
Is the applicant authorized to represent the owner?
true
Owner Telephone
(351) 201-4923
Owner Email
Bullfinch1800@yahoo.com
Owner Name
Paul Burke
The undersigned hereby applies for a permit to
Erect/Alter/Repair a sign on the following described buildings.
Select one: Erect/Alter/Repair Sign
Erect
District(s)
Historic District
Zoning
B-5
Is the Sign owner the same as the applicant?
true
If a corporate body, name of responsible officer
--
1st Floor
Retail
2nd Floor
Residential
3rd Floor
--
4th Floor
--
How many businesses are in the building?
1
Building
48
Applicant's Space (if multi-tenant)
48
Proposed Signs
Cost
Existing Signs
Property
48
How many signs are proposed?
3
Are any of the proposed signs window signs with vinyl or
painted lettering?
--
Sign 1 Materials
Outdoor Scrim Vinyl
Sign 1 Type
Free Standing
Sign 1 Dimensions: Width
1.66
Sign 1 Dimensions: Height
7
Will Sign 1 require Electricity?
--
Sign 1 Area (square feet)
11.62
Sign 2 Type
Free Standing
Sign 1 Height (if freestanding)
10
Sign 2 Dimensions: Height
7
Sign 2 Materials
Outdoor Scrim Vinyl
Sign 2 Area (square feet)
11.62
Sign 2 Dimensions: Width
1.66
Sign 3 Materials
Wood
Will Sign #2 require Electicity?
--
Sign 3 Type
Wall Sign
Sign 3 Dimensions: Width
12
Sign 3 Height (if freestanding)
--
Sign 3 Area (sq ft)
--
Sign 2 Height (if freestanding)
10
Sign 3 Dimensions: Height
0.58
Will Sign #3 require Electricity?
--
Estimated Cost in Dollars of Net Work (fabrication and
installation)
1700
How many Existing Signs are on the Property?
0
Sign Erector
Signature
Attachments (7)
Sign is a Municipal Owned Sign being installed by Dept Public
Services
--
Name
--
DBA
--
Telephone
--
Address
--
Email
--
License Type
--
License Expiration
--
Licensee Number
--
License Status
--
Applicant Signature
true
Sign Owner's Authorized Representative
false
Workers' Compensation Insurance
Affidavit:
Builders/Contractors/Electricians/Plu
mbers
Oct 05, 2020
Sign #1
Oct 05, 2020
Sign #2
Oct 05, 2020
Timeline
Sign #3
Oct 05, 2020
no signage.jpg
Oct 05, 2020
frontage.jpg
Oct 05, 2020
frontage with signage.jpg
Oct 05, 2020
Assigned by location regarding Urban Renewal Zone
Status: In Progress
Assignee: Kathryn Newhall-Smith
Kathryn Newhall-Smith October 6th 2020, 10:57:36 am
Thank you for your sign application. Everything looks to be in order except for the workers comp page. You uploaded the
rendering with the proposed signage in that location. Do you have the form to fill out and upload?
I will put this application on the Design Review Board's October 21st meeting agenda. I will send you the agenda a week before the
meeting, which will have the Zoom link. Your, or someone familiar with the sign will need to attend the meeting; it will begin at 6pm.
In the meantime, do not hesitate to contact me via this portal or directly by email if you have any questions.
Sign Permit Fee
Status: Pending
DPCD Exec Dir Sign off
Status: Pending
Building Commissioner Signoff
Status: Pending
Sign Building Permit available
Status: Pending
Inventory No:SAL.2480
Historic Name:Essex County Bank Building
Common Name:Salem Fraternity Boys Club Building
Address:11 Central St
City/Town:Salem
Village/Neighborhood:Central Salem
Local No:
Year Constructed:1811
Architect(s):
Almy and Bigelow; Bulfinch, Charles; Carl and Modlich;
Fellows, Israel; Frothingham and Fifield; Goldwaith and
Day; Lord and Fuller; Machado, Ernest Miguel Antonio;
Smith
Architectural Style(s):Federal; Italianate
Use(s):Bank; Clubhouse; Customs House; Commercial Block
Significance:Architecture; Art; Commerce; Economics; Recreation;
Social History
Area(s):SAL.HP: Downtown Salem Historic District
SAL.HZ: Downtown Salem Multiple Resource Area
Designation(s):Nat'l Register District (10/18/1983); Nat'l Register MRA
(10/18/1983); Preservation Restriction (05/15/1997)
Building Materials(s):Wall: Brick; Cast Iron; Marble; Wood; Stone, Cut
Foundation: Brick; Granite; Stone, Cut
The Massachusetts Historical Commission (MHC) has converted this paper record to digital format as part of ongoing
projects to scan records of the Inventory of Historic Assets of the Commonwealth and National Register of Historic
Places nominations for Massachusetts. Efforts are ongoing and not all inventory or National Register records related to
this resource may be available in digital format at this time.
The MACRIS database and scanned files are highly dynamic; new information is added daily and both database
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public research area at its offices at the State Archives Building, 220 Morrissey Boulevard, Boston, open M-F, 9-5.
Users of this digital material acknowledge that they have read and understood the MACRIS Information and Disclaimer
(http://mhc-macris.net/macrisdisclaimer.htm)
Data available via the MACRIS web interface, and associated scanned files are for information purposes only. THE ACT OF CHECKING THIS
DATABASE AND ASSOCIATED SCANNED FILES DOES NOT SUBSTITUTE FOR COMPLIANCE WITH APPLICABLE LOCAL, STATE OR
FEDERAL LAWS AND REGULATIONS. IF YOU ARE REPRESENTING A DEVELOPER AND/OR A PROPOSED PROJECT THAT WILL
REQUIRE A PERMIT, LICENSE OR FUNDING FROM ANY STATE OR FEDERAL AGENCY YOU MUST SUBMIT A PROJECT NOTIFICATION
FORM TO MHC FOR MHC'S REVIEW AND COMMENT. You can obtain a copy of a PNF through the MHC web site (www.sec.state.ma.us/mhc)
under the subject heading "MHC Forms."
Commonwealth of Massachusetts
Massachusetts Historical Commission
220 Morrissey Boulevard, Boston, Massachusetts 02125
www.sec.state.ma.us/mhc
This file was accessed on: Wednesday, October 7, 2020 at 11:40 AM
Follow Massachusetts Historical Commission Survey Manual instructions for completing this form. 12/12
FORM B BUILDING
MASSACHUSETTS HISTORICAL COMMISSION
MASSACHUSETTS ARCHIVES BUILDING
220 MORRISSEY BOULEVARD
BOSTON, MASSACHUSETTS 02125
Photograph
View looking northeast.
Locus Map (north at top)
Source: Mass GIS Oliver Parcel Viewer
Recorded by: Walter R. Wheeler
Hartgen Archeological Assoc./Larson Fisher Assoc.
Organization: City of Salem DPCD
Date: July 2017
Assessor’s Number USGS Quad Area(s) Form Number
35-0612-0 Salem SAL.HP,
SAL.HZ
SAL.2480
NRDIS NRMRA 10/18/1983, PR 5/15/1997
Town/City: Salem
Place: (neighborhood or village): Downtown
Address: 11 Central Street
Historic Name: Essex County Bank
Uses: Present: small retail/service store
Original: bank
Date of Construction: 1810-11
Source: Tolles & Tolles 2004, pp.82-83
Style/Form: Federal
Architect/Builder: Charles Bulfinch (attributed, 1810-11);
Lord & Fuller (1871 work); Ernest M.A. Machado (architect,
1899 renovation)
Exterior Material:
Foundation: stone and brick
Wall/Trim: brick/stone
Roof: unknown (asphalt shingle or slate)
Outbuildings/Secondary Structures: none
Major Alterations (with dates): Italianate cornice, entry
porch and first floor windows, and changes to the interior
(1871); Interior modifications (1899).
Condition: good
Moved: no ☒ yes ☐ Date:
Acreage: 0.11
Setting: The building occupies an urban setting principally
consisting of brick masonry commercial and mixed-use
buildings, in which structures typically occupy the majority of
their lots and have their street facades in line with the street
wall.
RECEIVED
DEC 05 2017
MASS. HIST. COMM.
INVENTORY FORM B CONTINUATION SHEET SALEM 11 CENTRAL STREET
MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No.
220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125
Continuation sheet 1
SAL.HP, SAL.HZ SAL.2480
☐ Recommended for listing in the National Register of Historic Places.
If checked, you must attach a completed National Register Criteria Statement form.
ARCHITECTURAL DESCRIPTION:
Frequently attributed to Charles Bullfinch, this two-story side-gable center passage brick masonry building is a good example of
neoclassicism as practiced by the circle associated with Bulfinch at the turn of the 19th century. The building is approached by
two flights of stairs with delicate cast and wrought iron railing, the stairs joining at a landing in front of an elevated en trance
vestibule.
The five bay façade, on a high cut granite basement with marble watertable, is enlivened by the use of arch-topped windows at
the first floor level, and the introduction of projecting string courses at both the sill and springing of the arches, extend ing the full
width of the street front. A larger string course marks the second floor level. All three courses are worked in finely cut white
marble, as are the splayed lintels and sills of the second floor windows. First floor windows are set within wide marble frames
within the arched brick openings, and are 12-over-12 double hung sash. The same windows are used at the second floor level.
Bays on the Central Street elevation are slightly compressed toward the middle of the façade; the central three bays are slightly
separated from the outer two ranks of windows. Alterations undertaken in 1871 introduced the Italianate vestibule with paired
paneled doors and lunette transom flanked by paired paneled pilasters. Other 1871 alterations included the redesign of the
lunettes above the first floor windows to conform with that of the vestibule’s transom, and the introduction of a bracketed cornice
to the building.
The brick walls are laid in Flemish bond with corner closers on both the primary and (where visible) secondary elevations. T he
parapet gabled end walls with paired chimneys have minimal fenestration and detail . The marble watertable of the Central
Street elevation is rendered in brick, and is the only projection on the south face of the building.
This building is a part of the Downtown Salem Historic District (SAL.HP) and the Salem Multiple Resource Area (SAL.HZ).
HISTORICAL NARRATIVE
According to the previous Massachusetts Historical Commission Historic Resource Survey Form, SAL.2580 , “this elegant
building is the last surviving example of the work of Charles Bulfinch in Salem.
Charles Bulfinch (1763-1844), a Boston-based architect, rose to national prominence for his work on the expansion of the capitol
building in Washington. He designed more than 50 buildings in Boston including the M assachusetts State House at 45 Beacon
Street (BOS.1092), Faneuil Hall at Dock Square (BOS.1712), and Saint Stephen’s Church at 401 Hanover Street (BOS.5353),
as well as numerous important commissions throughout New England.
The Essex County Bank Building was the first bank building constructed in Essex County, and housed a succession of banks in
the 19th century. Since 1899, it served as the home of the Salem Fraternity, founded 1869 and the oldest boys club in
America.”1 Historically, the building had an address of 7-11 Central Street, until the street was renumbered in the late 1880s.
The Salem Historic District Study Committee Survey stated that, “for a time Charles Osgood, many of whose paintings and
portraits may be seen at the Essex Institute, had a studio on the second floor. The Salem Fraternity, the oldest boys' club in
America founded in 1869, acquired the building and remodeled it in 1899. Ernest Machado was their architect.”2
According to the earliest deed for the property, dated March 11th, 1819, William Gray, Jacob Ashton, and Joseph White, Esqs.,
conveyed the real estate “upon which a brick Bank building has since been erected, and which is not in the occupation of the
1 Massachusetts Historical Commission Historic Resource Survey Form, SAL.2480 (1979).
2 Massachusetts Historical Commission Historic Resource Survey Form, SAL.2480 (1979).
INVENTORY FORM B CONTINUATION SHEET SALEM 11 CENTRAL STREET
MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No.
220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125
Continuation sheet 2
SAL.HP, SAL.HZ SAL.2480
said Essex Bank” to the President, Directors, and Company of Essex Bank, in consideration of $1. The following week, o n
March 17th, the President, Directors, and Company of the Essex Bank conveyed the lot or parcel of land with the brick Bank
building and all other buildings thereon to the President, Directors, and Company of the Commercial Bank, in consideration of
$6,500.3
On November 20th, 1826, the President, Directors, and Company of the Commercial Bank conveyed the lot o r/f parcel of land
with part of the brick building thereon to the President, Directors, and Company of the Mercantile Bank, in consideration of
$2,500.4 The Mercantile Bank operated here uninterrupted for the next forty-five years. In June of 1871, the Salem Register
noted that “the building on Central street, occupi ed by the First National and Mercantile National Banks, is being remodeled and
fitted up in fine style. The southern side is completed and occupied, and the northern side soon will be. The Mercantile Ba nk is
temporarily using the rear rooms.”5 The following month, the newspaper proclaimed, “The Mercantile National Bank is to have
the handsomest banking room in Salem. The interior is being elegantly finished off in black walnut…”6 On August 21, 1871, the
Salem Register detailed the completed renovations:
Both the First National and the Mercantile National Banks have recently remodelled [sic] their banking
rooms in fine style. The former improvements we have before alluded to. The latter are just completed, and the
newly fitted rooms were first occupied on Thursday last. The original stud of 15 feet 6 inches has been restored,
the wall and ceiling are elegantly frescoed, handsome cornices and ornamental wood work, a beautiful counter
with French panels and plate glass, a marble chimney piece with a Lawson’s Diamond Furnace, and a fine
English carpet, have been furnished, all serving to render the rooms very attractive and comfortable. These
improvements have been done under the supervision of Aarou [sic?] Perkins, Esq., President of the Bank. The
designs are by Lord & Fuller, the [illegible] by Carl & Modlich, the wood work by Goldthwait & Day, the counter
by Israel Fellows, desk by Smith of Boston, furnace by Frothingham & Fifield, and carpet by Almy & Bigelow,
and the material and work are creditable to all. The exterior of the building has also been much improved, so
that, as a whole, it is quite an ornament to the street and to the city.
The building was erected by the Essex Bank, and first occupied by that institution in July 1811, but that
Bank did not prove a success and its business was closed up in a few years. From 1813 to 1819 a portion of
the building was occupied as the Custom House, and since April 19, 1819, the southern portion has been
occupied by the Commercial Bank, which in June, 1864, became the First National Bank. The northern portion
of the building has been occupied since 1826 by the Mercantile Bank, which, in February, 1865, became the
Mercantile National Bank. The entire building is now owned by these two Banks.
The site of the present brick building was, previous to 1810, occupied by a wooden structure whi ch was
removed near the South Bridge and used for many years by the late Ebenezer Griffen as a boarding house for
seamen. It was destroyed by fire in the great conflagration of the night of Dec. 18, 1844.7
The architects of the 1871 renovations, George C. Lord (1835-1903) and George A. Fuller (1836-1920), were first associated in
1863 in Salem. Among Lord & Fuller’s earliest works was a building for the Salem Car Company that same year. Numerous
projects followed in quick succession, including designs for Harmony Grove Cemetery in Salem, and as their reputation grew,
buildings in nearby Beverly, Cape Ann, Peabody, and Lynn, among other places.8 Lord was born and died in Salem; Fuller
maintained an office on Tremont Street in Boston, although for much of his life he lived in Lynnfield. The firm was based in
Boston and had a practice that ranged across much of eastern part of the state. Some of their works between 1863 and 1892
include the First Calvinist Baptist Church in Beverly (BEV.109) and the Howard Gleason House in Stowe (STW.141).9
3 Salem MA, Southern Essex District Registry of Deeds, Book 219, Page 255, 3/11/1819. Hereafter cited as SED [Book #]: [Page#], [date]; SED 219:256,
3/17/1819.
4 SED 243:231, 11/20/1826.
5 “Local Items,” Salem Register, 26 June 1871, 2.
6 “Local Items,” Salem Register, 31 July 1871, 2.
7 “Bank Building on Central Street,” Salem Register, 21 August 1871, 2.
8 “Architecture,” Salem Observer, 14 March 1863, 3; “Salem Car Company,” Salem Register, 17 December 1863, 2; “Visit to Harmony Grove Cemetery,” Salem
Observer, 18 June 1864, 2; “The Messrs Proctor of the Cape Ann Advertiser…,” Salem Observer, 14 January 1865, 2; “Dedication of a New Masonic Hall at
Beverly,” Boston Journal, 8 August 1867, 2; “Lynn Board of Aldermen,” Boston Daily Advertiser, 12 December 1874, 1.
9 Massachusetts Historical Commission (2017).
INVENTORY FORM B CONTINUATION SHEET SALEM 11 CENTRAL STREET
MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No.
220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125
Continuation sheet 3
SAL.HP, SAL.HZ SAL.2480
Later in their career the firm was highly praised in a Boston publication,
Among the leading architects of Boston is the well -known firm of Lord & Fuller…They have been associated in
the business for over twenty-five years and have erected many of the most prominent buildings all over the
State, including school-houses, churches, town halls, and public work of all kinds, and in the city they have put
up many buildings and stores. They know that the true a rchitect must consider the all-important matters of
drainage and ventilation, and, accordingly, they pay the greatest attention to these subjects, as well as to light,
acoustics, etc., and it will be found that all the buildings of their construction are t horoughly healthy, and many
of the largest landowners have all of their buildings erected under the guidance of these gentlemen, who devote
their mature judgment and great experience to the interest of their many customers.10
The renovations were visible on the 1874 Hopkins map (Figure 2). In 1880, the Salem City Directory listed the First National
Bank and the Mercantile National Bank at “7 Central Street,” and the American Association for the Advancement of Science,
Mrs. Ellen Bassett, and Mrs. T. D. Pousland were listed at “11 Central Street.” By 1890, however, these spaces were together
known as 11 Central Street. At that time, the Central Social Club and The Observatory were also located in this building.
On December 12th, 1893, the First National Bank of Salem conveyed a parcel of land with the brick building that stands upon the
premises to the Master Builders’ Association of Salem , in consideration of $4,500 “to be forever used and enjoyed in common by
said Mercantile National Bank and said Master Builders’ Association.”11 One week later, on December 18th, the Master Builders’
Association of Salem conveyed the parcel of land with the southerly half of the brick building “being used in common by the
grantor and said Mercantile National Bank” to the Salem Savings Bank, for a $3,000 mortgage.12 The Master Builders
Association was depicted as the owner of the southern half of the building on the 1897 Richards map , while the Mercantile
National Bank maintained its ownership of the norther n half of the building.
On March 27th, 1899, the Master Builders’ Association conveyed a parcel of land with the southerly half of the brick building
thereon to the Salem Fraternity in consideration of $5,000. The premises were subject to a mortgage of $3,000 by the Salem
Savings Bank. About a month later, on April 25th, 1899, the Mercantile National Bank of Salem conveyed the northern half of
this building, the “parcel of land with the building that adjoined the Master Builders’ Association,” to the Salem Fraternity in
consideration of $4,500.13 The 1911 Walker map depicted the building as owned by the Salem Fraternity.
The building was renovated in 1899. A brief biography of Ernest M.A. Machado, the architect of the 1899 renovation, has been
written by Donna Segar:
Ernesto Miguel Antonio Machado (1868-1907) was born just up the coast in Manchester -by-the-Sea to a Cuban
émigré father and a North Shore mother who was orphaned but nevertheless connected . Juan Francisco
Machado and Elizabeth Frances Jones met and married in Massachusetts, returned to Cuba for a decade, and
then settled in Massachusetts permanently to raise their large family, first in Manchester and later in Salem. The
Machado house is one of my favorite in Salem: a stunning brick Federal on Carpenter Street. Ernest attended
Salem schools and then the Massachusetts Institute of Technology, graduating from its pioneering architecture
program in 1890. After working for at least two prestigious Boston architectural firms, he established his own
practice in partnership with his future brother-in-law Ambrose Walker, with offices in Salem (on Church Street),
Boston and Ottawa (where his brother was an established banker). In the later 1890s he seem ed to be working
feverishly, with commissions in several Boston suburbs, Salem, and all along the North Shore. This pace
continued in the new century, all the way up to his death by drowning in Lake Ossipee in New Hampshire in
September of 1907: he was 39 years old and had just completed his most challenging commission: the 14,000
square foot brick mansion of Governor Charles B. Clarke on Portland’s Western Promenade.14
10 Leading Manufacturers and Merchants of the City of Boston, and a Review of the Prominent Exchanges, (1885), 294.
11 SED 1397:546, 12/12/1893.
12 SED 1397:548, 12/18/1893.
13 SED 1574:163, 3/27/1899; SED 1574:165, 4/25/1899.
14 Segar (2016).
INVENTORY FORM B CONTINUATION SHEET SALEM 11 CENTRAL STREET
MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No.
220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125
Continuation sheet 4
SAL.HP, SAL.HZ SAL.2480
In April of 1869, the Salem Fraternity opened rooms at 173-177 Essex Street (SAL.2475) f or the purposes of providing evening
amusement or instruction for people confined to working all day and desiring recreation at the end of the work day. The
Fraternity was developed with working-class and poor families in mind. The organization provided entertainment to people of
both sexes, with the intention of providing opportunities for self -improvement in education, cultural experiences, physical training,
and arts and crafts. For fifteen years the Salem Fraternity offered the only free library in t he city. The Fraternity moved to the
Lyceum building on Church Street in 1898, but by 1899 had moved to their new location in this building.15 On September 26th,
1941, the Salem Fraternity, Inc. conveyed a parcel of land to the Edwin Realty Co., Inc., though the club remained at this
location.16 The Boys and Girls Club of Greater Salem , Inc., formerly known as Salem Fraternity, conveyed the parcel of land
with the building thereon to the Peabody Museum of Salem on June 27th, 1989 in consideration of $250,000.17
On April 15th, 1997, the Peabody Essex Museum conveyed the/a parcel of land with the buildings thereon to Paul A. Burke, Jr.,
in full consideration of $125,000.00. As of May 1st, 1997, Paul A. Burke, Jr. and Historic Salem, Inc. made a preservation
easement agreement regarding the building at 11 Central Street “designed by Charles Bulfinch, [which] is one of the earliest
surviving bank structures in the United States and the first in Essex County, and retains a high degree of surviving Federal
period and some Victorian era building fabric worthy of preservation.” According to the most recent deed, dated May 28th, 1997,
Paul A. Burke, Jr. conveyed the 11 Central Street parcel to Richard Anthony Sementa, Jr., trustee of Bulfinch Building Nominee
Trust, in consideration of $1.18
BIBLIOGRAPHY and/or REFERENCES
Published Sources
“Bank Building on Central Street,” Salem Register, 21 August 1871, 2.
“Local Items,” Salem Register, 26 June 1871, 2.
“Local Items, Salem Register, 31 July 1871, 2.
Tolles, Bryant F. Jr. and Carolyn K. Tolles. Architecture in Salem: An Illustrated Guide. 2004. UP of New England, Hanover.
Archival Sources
Crump, Allison, "Salem Fraternity Building," MHC B Form (SAL.2480), 1979. Massachusetts Cultural Resource Information
System. http://mhc-macris.nrt/index.htm .
Salem, MA. Southern Essex District Registry of Deeds. Plan and deed records.
Washington, D.C. U.S. Bureau of Census. United States Censuses. 1790-1940. www.ancestry.com .
Internet Sources
Genealogy, Family Trees & Family History Records. www.ancestry.com .
Google Books Search. http://books.google.com.
Historical Newspapers search. http://geneaolgybank.com.
Segar, Donna. “Streets of Salem” blog on Ernest M. A. Machado, https://streetsofsalem.com/2016/04/08/ernest-m-a-machado-
salem-architect/, accessed November 13, 2017.
Maps
1851 Map of the City of Salem. H. McIntyre
1874 Atlas of the City of Salem. G. M. Hopkins & Co.
1897 Atlas of the City of Salem. L. J. Richards & Co.
1911 Atlas of the City of Salem, Massachusetts, Walker Lithograph & Publishing Company, Boston.
1950 Insurance Maps of Salem, Massachusetts, Sanborn Map Company, New York.
15 Dowgin (2012), 125; https://salemsecretunderground.wordpress.com/2014/07/07/fagen-fire-tunnels-and-the-salem-boys-fraternity-a-history-from-1869-to-
1900/.
16 SED 3272:423, 9/26/1941.
17 SED 10051:327, 6/27/1989.
18 SED 14109:521, 4/15/1997; SED 14109:523, 5/01/1997; SED 14140:25, 5/28/1997.
INVENTORY FORM B CONTINUATION SHEET SALEM 11 CENTRAL STREET
MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No.
220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125
Continuation sheet 5
SAL.HP, SAL.HZ SAL.2480
FIGURES:
Figure 1: 1851 McIntyre map.
Figure 2: 1874 Hopkins map.
INVENTORY FORM B CONTINUATION SHEET SALEM 11 CENTRAL STREET
MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No.
220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125
Continuation sheet 6
SAL.HP, SAL.HZ SAL.2480
Figure 3. First National Bank Bldg, by Frank Cousins, n. d. [c. 1895] (Duke University Libraries, Digital Collections,
http://library.duke.edu/digitalcollections/diap_duke0084/)
INVENTORY FORM B CONTINUATION SHEET SALEM 11 CENTRAL STREET
MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No.
220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125
Continuation sheet 7
SAL.HP, SAL.HZ SAL.2480
PHOTOGRAPHS: (photos by Neil Larson and Walter R. Wheeler, 2016 unless otherwise indicated).
View looking east.
View looking northeast.
FORM B - BUILDING
MASSACHUSETTS HISTORICAL COMMISSION
Office of the Secretary, State House, Boston
2. Photo (3x3" or 3x5")
Staple to left side of form
Photo number 2-i 22-
WDV. WM\
In Area no. Form no.
35 612
(over)
1. Town Salem
Address 11 Central Street
Name Salem Fraternity Building
Present use Institutional
Present owner
jscription:
te 1811
Source Salem Historical Commission
He Federal
chitect Charles Bulfinch
terior wall fabric Brick
tbuildings (describe)
er features
Altered portico, trim Date c.1850
Moved Date
5. Lot size: 4,650 sq. ft.
One acre or less Over one acre
Approximate frontage 55 ft.
Approximate distance of building from street
6 ft.
6. Recorded byA. Crump
Organization Salem Redevelopment Authority
Date November, 1979
30M-5-77
srru2>vgt>
7. Original owner (if known)_
Original use
Essex Bank
Corrmercial
Subsequent uses (if any) and dates
8. Themes (check as many as applicable)
Aboriginal
Agricultural
Architectural
The Arts
Commerce
Communication
Community development
X
Conservation
Education
Exploration/
settlement
Industry
Military
Political
Recreation
Religion
Science/
invention
Social/
humanitarian Transportation
9. Historical significance (include explanation of themes checked above)
)
This elegant building is the last surviving example in Salem of the work
of Charles Bulfinch, the cUstonguished Boston architect and designer of the
Massachusetts State House. It was the first bank building constructed in Essex
County, and housed a succession of banks in the 19th century. Since 1899,
it has served as the home of the Salem Fraternity, founded 1869 and the oldest
boy's club in America.
(
10. Bibliography and/or references (such as local histories, deeds, assessor's records,
early maps, etc.)
Salem Historic District Study Committee Report, 1968.
IMV5 NTGRY FOHM 3
MASSACHUSETTS HISTORICAL COMMISSION
2./Town Salem, Massachusetts^7
2f4-4cs
Office of the Secretary, State House, Boston (\ ft^t-gst #11 Central Street.
Is this site historically significant to>
Town /Som^n^aRn) Natioli
ALSO
Site has historical connection with the
following themes: (see also reverse
sant ' ivflarus Salem Fraternity Building;.
LSO • <Y |v Present Owner Salem Fraternity
eider / -'resecit us se boys' club house
Agriculture ^ornmerce^ndustry ' C (
^cnftb^ti^e™} Science/Invention (_2cTrtd"
EsKfcation
Government
Literature
Music
Original Use bank building
Travel/ Communication
Military Affairs
Religion/Philosophy
Indians
Development of Town/City
Date 1811 Style Federal
Source of Date various guide books.
Architect Charles Bu If inch
3. CONDITION: Excellent Good Fair Deteriorated Moved- {Altered
IMPORTANCE of site to area: jftSreat) Moderate None Detrimental Endangered
Itallanate "addition —, teim,
4. DESCRIPTION
FOUNDATION: CggD Regular None Material; q^m'-hA.
MATERIAL; Frame (Cover: ) ^rick_) Stone (other) Flemish bond
STORIES: 1 4 CHIMNEYS: .| § 3 ^} Center (^^Cmster^^E^borate Irregular
le^Complex Attached: Ells Stable Dependency
Interior: Gallery/porch
PLAN: ^Symmetrical/Asymmetrical
PORCHES: ((Tj'Z 3 4 feortico^ Balcony
ROOF: Gambrel Flat Hip Mansard
Cupola Gables 1 2 3 4 Balustrade Grillwork
FACADE: Gable End: Front/Side) A. symmetrical (Ornate) Simple/Complicated
Cornice: Simple#Oraate> Narrov ^Shallow Dentils/fBracketi) Italaniate bracksts
" 'a ' -:': Froah' Cor.: ,: •-; ; .'eaturos: Unfortunately orig entrlL^repJaSed
_ by_hj5ayy enclosed entrance porch
Endows: bpacing:fReguiaryirreguiar IdGnticai^v^ieulLst floor rounded headed and set
stone surrounds, 2nd floor reeded
Corners: (Plain) Pilasters quoins Cbscured splayed lintels.
OUTBUILDINGS None LANDSCAPING crowded city street, goo _____________________ _n.ro
5. Indicate location of site on map below
oio
rttvsfL j L__-
I «-
M 1 rrtxriew^/
6. Footage of structure from street j-4'
Property lias3 81 feet frontage on street
Recorder James HowlJaQ<au.
For
ron
fence.
-Salem Fra-fce^aXt-yv-
(Mame of organization)
Photo
NOTE: Recorder should obtain nritten permission from Commissi/''- or sponsoring organi-
zation before usin^ ( rm. »> ( ^ > Reverse Side)
PLEASE INDICATE ANY INTERIOH FEATURES OF NOTE (For use with important structures)
Fireplaces - These have been removed on the first floor at least.
Stairway
plaster
Other A photograph at the Essex institute shows a very fine/medallion
in the ceiling of one room in this building, which may still be there
covered by a tin ceiling in the room used for basketball.
PLEASE GIVE A BRIEF DESCRIPTION OF HISTORIC IMPORTANCE OF SITE (Refer to the
theme circled on front of form. What happened? Who important? When" Comment)
This building is important because BuIfInch designed it originally
and many of his details remain, including the stone surrounds around the
first floor windows.
It is important because it has been the home of four Salem banks,
some of which no longer exist and was the first, bank building built in
Salem.
It is important because Charles Osgood had a studio there.
It is important as the home of the Salem Fraternity since 1§99*
which is the oldest boys' club in America having been founded in 1869.
Reference: (Where was this information obtained? What"book, records, etc.)
Prom the Salem Historic District Study Committee Purvey,
A plaque on the exterior of #11 Central Street,
A History of Essex County. J. W. Lewis. PhiladeIphis 1888.
The Visitors' Guide to Salem.
Photograph files at the Essex Institute in Salem.
Bibliography
Original Owner:BSgg&?ff *?«fla?gfi.f jflg? fftgfef afig The sex Bank.
Deed Information: Book\ u... ,r ;2l^ Pagfe X:>fa , 4 cip Registry 01 Deeds
MHC INVENTORY FORM CONTINUATION SHEET -- MHC Inventory scanning project, 2008-2010 MACRIS No. SftLJijg)
"PR"
#11 CENTRAL STREET. Extra notes. This brick building is important be-
cause of its relationship to two other Salem buildings and because the
Salem Redevelopment Authority contemplates the rehabilitation of this
small cluster of buildings. The other two buildings to which I refer
are the three-story frame house south of #11 which was built in the
middle of the lBth century and the large brick building across the street
which is thnght by Fiske Kimball to have been dkigned by Samuel Mclntire
and which once served as the Custom House in Salem.
The Salem Historic District Study Committee Survey has the following
material about #11 Central Street.
"#11 Central Street. RATING: ONE. PERIOD: FEDERAL (altered.)
"This important building was designed by Charles BuIfinch and built in
building
l8ll to serve as the home of the Essex Bank. It was the first bank/erected
in Essex County, and later three other banks opened their offices there;
it is also one of two Bulfinch buildings remaining in Salem; the other,
the Ezekiel Hersey Derby House on Essex Street east of the Salem Five
Cents Savings Bank, is scheduled to be demolished under the Urban Renewal
Plan. ,
MHC INVENTORY FORM CONTINUATION SHEET -- MHC Inventory scanning project, 2008-2010 MACRIS No.S)_j___ ___4gt>
For a time Charles Osgood, many of whose paintings and portraits may
be seen at the Essex Institute, had a studio on the second floor. The
Salem Fraternity, the oldest boys' club in America founded in 1869,
acquired the building and remodeled it in l899» Ernest Machado was their
architect. Some time prior to that, the exterior modifications of the
Federal portico and cornice seem to have taken place. Pictures at the
Essex xnstitute give some idea of its grace and grandeur prior to the
exterior alterations, and also reveal the presence of a large plaster
medallion in the ceiling of one of the rooms which may still be there
unoer the tin ceiling in the room now used as a basketball court.
Architecturally, the building is quite sophisticated with many details
not usually seen in ^alem. It is a two-story, plus pitch roof, brick
(Flemish bond) building with a five bay facade, set back from and above
the street level. Horizontally the building is divided by four reeded
stone belts, two the usual width and two narrower, between the foundation
and the second floor level. The first floor windows are recessed and set
in large reeded stone surrounds, above which there are semi-circular
fanlights. (The wooden tracery in these fanlights is probably a modifi-
cation of the original; if not, it is very unusual in Salem.) The
MHC INVENTORY FORM CONTINUATION SHEET -- MHC Inventory scanning project, 2008-2010 MACRIS No.SAV 2-HS7J
#11 Central Street, page 2
second floor windows have narrow, reeded and splayed stone lintels*
The area under the eaves has been much altered in appearance by
the addition of ornate carved backets in the Italianate style, and the
main entrance is also now in the -Ltalianate style and replaces what
must have been a very imposing and handsome columned portico up a
double flight of steps.
The portico itself was on a raised granite base some thirty feet
long and six or seven feet wide• The fine wrought iron stair rail and
fence is original, and there are signs in the granite base of the
portico that there were one iron railings at this level, also. j
1
Kathryn Newhall-Smith
From:Diehl Marcus & Company <diehlmarcuscompany@gmail.com>
Sent:Thursday, October 29, 2020 4:50 PM
To:Kathryn Newhall-Smith
Subject:Re: Banner Signs
Hello,
Hope you are doing very well. Thank you for providing us with these options. We happened to be having a meeting when I received your email so we were able
to discuss this and we are delighted that we will be able to move forward with option number 2. We are planning to only put up one banner sign at first anyhow
and as soon as approval is made, we can do it.
And then in the short term future, we will add the second banner with no logo and just the imagery as seen in the maritime banner.
Thank you again for all of your help and navigation in this,
Erika
On Thu, Oct 29, 2020 at 4:11 PM Kathryn Newhall-Smith <knewhallsmith@salem.com> wrote:
Hello,
Thank you for your patience as I work with my boss on your sign application.
It seems that the main issue is the regulation in the Sign Ordinance (section 4-51.a.4). that states there can only be one projecting sign per business entrance
and you have the two banner signs.
There are two paths forward:
1. Revise the banner sign design to remove your logo, leaving only the images. By removing the text the banners are now just flags and not signs, thus
review is not needed.
2. Alternatively, remove the logo from one of the banner signs leaving the logo on the other.
2
Are you amenable to either of these options?
Thank you for your consideration,
Kate
Kate Newhall-Smith
Principal Planner
City of Salem
98 Washington Street
Salem, MA 01970
knewhallsmith@salem.com
978-619-5685
--
Thank you,
Erika Diehl & Christian Marcus
www.DiehlMarcus.com
11 Central St. Salem, MA 01970
Hours: By Appointment Only
http://instagram.com/diehlmarcus
3
http://facebook.com/diehlmarcuscompany
Page 1 of 1
Design Review Board Sign Recommendation
11 Central Street
Diehl Marcus & Co. Signs
Meeting Date: October 21, 2020
Members Present: Paul Durand, Chair, Helen Sides, Vice-Chair, David Jaquith, Glenn Kennedy,
Catherine Miller, Marc Perras, J. Michael Sullivan
Members Absent: None
Decision: At a regular meeting of the Design Review Board (DRB), upon a motion duly made and seconded,
it was unanimously voted to recommend approval of the sign proposal as designed and conditioned herein.
Referenced Plans and Documents
1. Sign Proposal, prepared by Erika Diehl, 11 Central Street, Salem, MA 01970, submitted on 10/5/20.
2. Staff Comments dated 10/14/20.
Condition of Approval
1. Consistency with Design/Plans: Should the applicant determine that the approved sign design may
not be completed as detailed in the plans referenced herein and the following conditions,
he/she/they shall return to the DRB to review proposed modifications prior to making any changes
in the field.
2. Wall Sign – Spacing of Text: Reduce the spaces between the words that comprise the name of the
business, which will then create more space around ‘Merchants’ on the left side of the sign and
‘Exotic Cargo’ on the right side of the sign.
Findings
1. Respects the Historic Façade: The banner signs are installed on the railing at the stoop of the
building, which means they are not covering architectural details on the façade and the methods of
installation will not damage the brick façade.
2. Maximum Visibility: The banners coupled with the wooden sign at the street level will result in
maximum visibility for this business, which is located in a building that is set back from the public
way. The sign package is appropriate for vehicles driving in the area, pedestrians looking toward
Central Street from the pedestrian mall and Lafayette Street, and for pedestrians walking by.
Signature of the DRB
By the signature below, I certify that this recommendation accurately reflects the actions of the Design
Review Board.
_______________________________________ ________
Paul Durand Date
Chair
10/22/2020